“With us, it’s guitar like you haven’t heard before”
BY LILY BRYANT When I ask Benjamin Dix of the Melbourne Guitar Quartet what it’s like to prepare for a world premiere, he laughs, self-effacingly. […]
BY LILY BRYANT When I ask Benjamin Dix of the Melbourne Guitar Quartet what it’s like to prepare for a world premiere, he laughs, self-effacingly. […]
BY LILY BRYANT Have you ever considered the way spoken word plays a musical role in a classical piece? Personally, I understood the use of […]
BY LILY BRYANT A warm bath. An evening walk. A home-cooked meal. Calmness and comfort and safety. The word “sanctuary” conjures up any number of […]
BY LILY BRYANT When you first press “play” on Spinifex Gum’s title track, you’re not sure what you’re hearing. It sounds like a crash cymbal, […]
BY LILY BRYANT Picture yourself at 6, or 8, or 10 years old. You’ve been crammed into the school hall with your fellow students, and […]
BY LILY BRYANT When studying a classical music degree, you’re inevitably met with the mythology surrounding the “struggling artist” — an image propagated during the […]
BY LILY BRYANT, SERIES CURATOR Welcome to a brand new year of amazing Australian artists, and a brand new year of Passing the Mic. I […]
BY LILY BRYANT, SERIES CURATOR Welcome back to our second instalment of Passing the Mic, a series centring the art of Australian female, non-binary, and […]
BY THE CUTCOMMON TEAM This March 8 is International Women’s Day. To celebrate, we got thinking about those who inspire us most — from performers […]
BY LILY BRYANT In 1957, Nevil Shute’s post-apocalyptic novel On the Beach depicted the aftermath of a disastrous world-wide nuclear war, as a handful of […]
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