LIVE REVIEW // Mark sees lost+sound pop+up ii
BY MARK BOSCH, LEAD CRITIC pop+up iilost+soundArchies, Jubilee Park, 25 May Earlier this year, I had the pleasure of seeing lost+sound’s first pop-up of 2019 […]
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LIVE REVIEW // Mark sees Australia Ensemble’s No Strings Attached
BY MARK BOSCH, LEAD CRITIC No Strings AttachedAustralia EnsembleSir John Clancy Auditorium, University of New South Wales, 27 April UNSW’s resident Australia Ensemble is in […]
Henry Justo: “You must give everything”
BY MARK BOSCH, LEAD CRITIC Ensemble Offspring’s Hatched Academy offers invaluable mentorship and performance opportunities to composers and performers every year. This year’s Hatched Academy […]
LIVE REVIEW // Mark sees Music on Music
BY MARK BOSCH, LEAD CRITIC Music on MusicSydney Chamber ChoirUniversity of Sydney, 30 March Sometimes, I feel like I give the game away a little […]
(Literally) Live Reviews // Bach in the Subways
Welcome to CutCommon’s (Literally) Live Reviews – our video review series that aims to reshape the way we think about arts criticism in Australia. Bach […]
Are you listening deeply?
BY MARK BOSCH, LEAD CRITIC It matters how we listen, not just to music but to each other. Are we listening selectively? Listening to respond? […]
WRITER LINE-UP // Mark Bosch
Our second print edition is about to make its way across Australia! As we prepare, we bring you our showcase of talented emerging arts journalists […]
LIVE REVIEW // Mark sees Opera Australia’s Werther
BY MARK BOSCH, LEAD CRITIC WertherOpera AustraliaSydney Opera House, 22 February At this rate, I’ll have seen 12 operas beginning with the letter W by […]
LIVE REVIEW // Mark sees Opera Australia’s Wozzeck
BY MARK BOSCH, LEAD CRITIC WozzeckOpera AustraliaSydney Opera House, 25 January Wozzeck! Pronounced “vot-zeck”, the cast’s persistent and aggressive Sprechgesang utterances of the title character’s […]
LIVE REVIEW // Mark experiences One Infinity
BY MARK BOSCH, LEAD CRITIC One InfinitySydney FestivalCarriageworks, 23 January On Wednesday evening, I return to Carriageworks’ Bay 17 to see One Infinity, a music […]