We need to end the “all or nothing” approach to careers in music
BY CHANTAL NGUYEN It was the final minute of the final movement. “All or nothing, now or never!” I thought. The double stops, the breathless […]
BY CHANTAL NGUYEN It was the final minute of the final movement. “All or nothing, now or never!” I thought. The double stops, the breathless […]
BY JASMINE MIDDLETON For mezzo-soprano Elizabeth DeShong, Hansel and Gretel is more than just a well-known childhood tale. It’s an opera that provided her with […]
BY STEPHANIE ESLAKE A music degree can be an intense – and intensely rewarding – life experience. It doesn’t matter how old we are, or […]
BY DR DIANA TOLMIE The population of Australian musicians largely live portfolio careers involving music and non-music contract and DIY employment. And, as we know, […]
BY STEPHANIE ESLAKE Last year, we took you backstage with opera stars in our interview series Behind the Curtain. This year, we’re going to take you inside the […]
BY STEPHANIE ESLAKE Should you stay in Australia to build your music career, or travel overseas in search of bigger things? What even are those bigger things? […]
BY WENDY ZHANG This July, I had the opportunity to attend the Australasian Piano Pedagogy Conference for the first time. I registered for this mainly […]
BY CAMERON LAM Applying or getting nominated for an award, honour, or prize is one of the more challenging, exciting and — let’s be honest […]
BY TRACY FRIEDLANDER Tracy Friedlander is the founder of Crushing Classical. We’d like to welcome her to CutCommon as she shares her industry advice column […]
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
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