“Our sexuality is no inhibition to our music making”
BY STEPHANIE ESLAKE When your first performance of a program is a sell-out, and you receive a donation of funds to record an album based […]
BY STEPHANIE ESLAKE When your first performance of a program is a sell-out, and you receive a donation of funds to record an album based […]
BY STEPHANIE ESLAKE During a pandemic, the word “escapism” sounds particularly sweet, doesn’t it? This is how Alicia Crossley describes her newest album Bass Instincts. […]
BY STEPHANIE ESLAKE Music by female-identifying composers. A digital future for the performing arts industry. Diversity in the concert hall. Choosing not to perform Mozart. […]
BY CUTCOMMON In collaboration with the Sydney Conservatorium of Music, the Women’s Club has been hosting a series of recitals celebrating the works of women […]
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