Australian video game composers are getting their moment in the spotlight
BY STEPHANIE ESLAKE We all love music that tells a story. Whether composed for an opera or ballet, we soak up the passion and tragedy […]
BY STEPHANIE ESLAKE We all love music that tells a story. Whether composed for an opera or ballet, we soak up the passion and tragedy […]
BY STEPHANIE ESLAKE Alexander Voltz is based in Brisbane — a city boasting well over 2 million inhabitants. But the composer has found new inspiration […]
BY CHLOE HASSON, BLUE STOCKINGS In early 2020, I received a message request from a girl named Alison Paris. She had a vision: she wanted […]
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY STEPHANIE ESLAKE You may have read our recent interview with Nicholas Vines. The Australian composer has penned a suite of 12 preludes called Indie […]
BY STEPHANIE ESLAKE Have you ever looked into your rattan-framed mirror and asked: Am I a hipster? I wonder this sometimes. I have glasses that […]
BY STEPHANIE ESLAKE When your first performance of a program is a sell-out, and you receive a donation of funds to record an album based […]
BY STEPHANIE ESLAKE Harpist Emily Granger knew exactly what she wanted on her debut solo album — and it’s probably not what you’d expect. The […]
BY STEPHANIE ESLAKE Kate Miller-Heidke describes The Healing Tree as “pure comfort”. The idea for this single swirled in her mind when, before the pandemic, […]
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