(Literally) Live Reviews: Stephanie goes to the TSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY JOHN GLOVER This week, we celebrate the start of a new era for our friends over at Limelight Magazine – woohoo! We also congratulate […]
BY STEPHANIE ESLAKE Dr Cathy Dudgale has worked in general practice for more than 30 years. As a doctor, she has worked in hospitals, […]
BY STEPHANIE ESLAKE, EDITOR Vulnerable. Fearful. Anxious. Embarrassed. Confused. Enraged. Just another day at work? I don’t think so. This open letter is difficult for me […]
BY STEPHANIE ESLAKE Inmates of Tasmania’s Risdon Prison are sharing personal stories through the Convict Monologues project. Composer Chris Williams is translating this into music. During […]
BY STEPHANIE ESLAKE It’s okay to have a bad day at work. Perhaps you don’t quite manage to complete the jobs on your to-do […]
BY STEPHANIE ESLAKE What if music and words were living beings? How would they behave? What would we think of them? This is the […]
**ENTRIES OPEN FOR YOUNG MUSIC WRITERS IN AUSTRALIA** No experience necessary – just a passion for music In 2016, we launched our inaugural CutCommon […]
BY STEPHANIE ESLAKE Leading Tasmanian composer and educator Maria Grenfell is working with budding new music makers in the coming months. Together, they’re crafting […]
BY STEPHANIE ESLAKE According to Elena Kats-Chernin, “every composer has a quirk”. Perhaps the most celebrated quirky composer is French impressionist Erik Satie. Erik liked to wake […]
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