How to keep supporting your local music scene during a pandemic
BY STEPHANIE ESLAKE The World Health Organisation has declared a coronavirus pandemic. And as governments place restrictions on travel and mass gatherings, the arts will […]
BY STEPHANIE ESLAKE The World Health Organisation has declared a coronavirus pandemic. And as governments place restrictions on travel and mass gatherings, the arts will […]
BY THE CUTCOMMON TEAM This March 8 is International Women’s Day. To celebrate, we got thinking about those who inspire us most — from performers […]
BY STEPHANIE ESLAKE Flautist Jacquie Liversidge graduated from her music degree in 2013. She’d performed in flute ensembles, featured on multiple instruments in the 2012 […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN The Lost Prince is a film for anyone who has ever been a parent or a child. The French […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN For Alex Baranowski, The Windermere Children wasn’t an ordinary scoring project. Though the BBC/Wall to Wall production may have presented […]
BY STEPHANIE ESLAKE For flautist Joshua Batty, one of the most distressing impacts of this summer’s bushfire season has been “the feeling of mutual helplessness”. […]
BY STEPHANIE ESLAKE In this new interview series, we place two musicians side by side to answer questions about their careers and performances — but […]
BY STEPHANIE ESLAKE The Sydney Chamber Choir’s Sam Allchurch has big shoes to fill. This year marked his first as its music director, following in […]
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
BY STEPHANIE ESLAKE When I first heard the Glenn Miller Orchestra was still touring 100,000 miles a year, my heart jolted: I had missed the […]
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