(Literally) Live Reviews // Elixir feat. Katie Noonan, Michael Leunig, TSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
Stephanie Eslake
Lucy Sugerman on performance anxiety, self-promotion, and orchestral music
BY STEPHANIE ESLAKE If you watched the 2017 season of The Voice Australia, you’d have seen one young performer working hard to make her way to […]
Here’s what Emma Morrison is learning as an AYO Chamber Player
BY STEPHANIE ESLAKE When Emma Morrison was at school, she thought the bassoon could be fun – its “deep resonant sound and quirky nature” […]
This new conservatorium wants to keep its students safe
BY STEPHANIE ESLAKE, EDITOR The Hedberg is a $96 million academic and cultural hub is set to launch in 2019. And this University of Tasmania […]
“Anything is possible” with classical saxophone
BY STEPHANIE ESLAKE When I first heard about the Melbourne International Saxophone Festival, I started nerding out. Having trained for classical saxophone, I marvelled […]
Why you should start taking sax seriously
BY STEPHANIE ESLAKE Much to the bother of some purist performers, saxophone and classical music are set to collide this week in a concert […]
33 thoughts I had while watching La Traviata
BY STEPHANIE ESLAKE La Traviata Opera Australia Arts Centre Melbourne, 28 April Act 1 Why is everybody saying that opera is ‘dead’? This […]
Sydney Morning Herald: “One of the most dynamic sites is CutCommon”
CutCommon is “one of the most dynamic sites” in Australian arts criticism, writes Caroline Baum in an edgy new feature for weekend Sydney Morning Herald publication Spectrum. […]
Yiyun Gu wants this music to “be heard and understood”
BY STEPHANIE ESLAKE Yiyun Gu is a Melbourne concert pianist who cares about what audiences understand. For her upcoming event at the Melbourne Recital […]
(Literally) Live Reviews: Stephanie goes to the TSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]