How Paul Stanhope’s Requiem evolved into a celebration of life
BY STEPHANIE ESLAKE A requiem is a mass for the dead. But through the music of composer Paul Stanhope, the medium may be better described […]
BY STEPHANIE ESLAKE A requiem is a mass for the dead. But through the music of composer Paul Stanhope, the medium may be better described […]
BY STEPHANIE ESLAKE Though it took him just a few weeks to compose, Handel’s 1741 oratorio Messiah embedded itself in the hearts of concertgoers throughout […]
CONTENT COURTESY CITY RECITAL HALL City Recital Hall and Sydney Chamber Choir PresentHandel’s Messiah Handel’s Messiah shocked the authorities, disrupted traffic, enthralled its audiences and brought a […]
BY STEPHANIE ESLAKE The Sydney Chamber Choir’s Sam Allchurch has big shoes to fill. This year marked his first as its music director, following in […]
BY MARK BOSCH, LEAD CRITIC A Royal AffairSydney Chamber Choir with The Muffat CollectiveGreat Hall, University of Sydney, 1 June I’m decidedly no fan […]
BY RIA ANDRIANI, AS TOLD TO STEPHANIE ESLAKE I was born in Bandung and grew up in Jakarta, Indonesia. My parents encouraged me to learn […]
BY MARK BOSCH, LEAD CRITIC Music on MusicSydney Chamber ChoirUniversity of Sydney, 30 March Sometimes, I feel like I give the game away a little […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Disclaimer: This feature was written under the guidance of the University of Sydney as part of Sylvie‘s studies in publishing. […]
BY MARK BOSCH Dance Chant Sydney Chamber Choir and Synergy Percussion City Recital Hall, 4 August The greatest strength of Saturday night’s Dance Chant was […]
BY MARK BOSCH I always hesitate to call a composer — or any artist and their work — “unique”, “singular”, “solitary”. Nothing exists in […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.